Bangalore confused about Jesus's apparel?

Ever saw the idols of Mary and infant Jesus here in Bangalore? Ever wondered why they are dressed so differently from the chapels and churches of Europe and the US? Why is it that the Mary here is draped in a saree and infant Jesus is dressed in a pinafore, whilst their European counterparts are dressed in gowns and capes? Well, the obvious answer is 'culture' and cultural differences.

Now, I can understand Mary being accepted by Indian Christians if she is saree-clad (because the image of a 'mother' to most Indians is a saree-clad, sweet lady). Perhaps they cannot accept the image of a lady in a gown as 'holy mother', since it's not localized enough. What I don't understand is baby Jesus in a frock! I mean come on he is a guy and NOT a girl, right? Why dress him up in a frock, for crying out loud?

Is it localization too? I wonder. Is localization for India, dressing up boys in girls' clothes? Am not quite sure what message is being disseminated with this....Cross dressing? If so, I must say that the Indian orthodox Christians have become truly liberal and eclectic in their views. May be the Hindus can take a page or two from their book.

However, the gender identity issue still confuses me. If Jesus had been a female, would the infant have been dressed in a pair of trousers and shirt or kurta-pyjama? Hmm... I think I shall sit and ponder on this one over the weekend...

Take a break from work to be more productive

Ever wondered what causes people to sleep off in office spaces? No, it's not sleep deprivation alone. It's also something about the closed environment in offices, which causes more carbon dioxide to be retained. Related as well to watching the computer screen for too long, which causes your eyes to dry up.

Some argue that it's also because of the wooden furniture around you at work, which releases something like formaldehyde causing sleep-inducing toxins.

Whatever be the cause, I'd say don't try to fight that sleepy feeling you get. Take a 10-minute break and get a shut-eye. It's commonly called a 'power nap'. When you get up, make sure you take something that refreshes you. It could be that unhealthy black liquid, which goes by the name of coffee, or it could be fresh fruit juice.

Also, it's not a bad idea to get up from your chair every 40 minutes and do some stretches, or just go for a walk around your office corridors. Change of scene helps a lot. Trust me, when you get back to your seat after just 10 minutes of doing-something-other-than-staring-at-your-computer-like-a-stuffed-frog, you'll feel rejuvenated. Your productivity also increases significantly, as your mind clears up and your brain gets more oxygen.

Another option is to listen to some soothing music, whilst working (provided one can manage that). For me, Hindustani instrumental helps - especially flute and sarangi. The sitar by nature is a lot more lively, so I keep that for later - like when I'm doing some light work.

So, take a break from work to give back more to your work!

No eras to look forward to?

There's something about the era gone by, about people who are no more and their immortal works, about ideals that no one has reached out to achieve... Something that fascinates mystifies and attracts us. Is it because this has passed beyond the boundaries of the tangible? Is it because that intangibility also gives it a sacrosanct status? Perhaps. Although many of us would like to critique its elevated status for whatever reasons, some would still salute it.

Gandhi and his ideals is one example. He has been applauded by admirers and denounced by critics. He has won as many accolades as brickbats. But, there's something to be said of the way he drew large crowds to participate in the freedom struggle, non-violently. He gave our call for liberation an international standing and much more. There's an interesting site, which shows how Gandhi would have communicated in this day of technology boom. http://streams.gandhiserve.org/ti.html

Dwelling further on this topic of eras gone by and of people, who created legendary masterpieces, is Sahir Ludhianvi. His poetry gave depth and meaning to musical compositions in the Hindi film industry. He coloured romantic themes with his delicate, poetic brush. More importantly, he also laid bare India's social and economic poverty with such force that it could rouse even the most hardened, indifferent being on earth.

My favourite is Sahir's composition for SD Burman's music in Guru Dutt's 'Pyasa'.

Yeh kooche, yeh neelaam ghar dilkashi ke.

Yeh lut te hue caravan zindagi ke.

Kahaan hai kahaan hai muhaafiz khudi ke.

Jinhe naaz hai hind par woh kahaan hai?

Kahaan hai, kahaan hai, kahaan hai?.....

.....Zaraa is mulk ke rahbaron ko bulaao,
Yeh kooche, yeh galiyaan, yeh manzar dikhaao.
Jinhe naaz hai hind par unko bulaao.
Jinhe naaz hai hind par woh kahaan hai?
Kahaan hai, kahaan hai, kahaan hai?

Even after 50 years of Sahir's cry of despair, things haven't changed much in our country. Why, oh why cannot our policy makers, our bureaucrats, our "representatives of the people" hear this cry that comes out of every Indian's heart? Why have they closed their eyes and ears and stifled their conscience? Why has power blinded them? Why cannot they see people's suffering? Their need for gainful employment? Their need for education? Their need for food? Their need for good roads, drinking water and power supply? Their need for accountability?

Perhaps we are to blame for electing them. But, who does vote today? None of the so-called educated, informed and 'thinking' citizens of India. None of the intelligentia either. So, who does?

Of course the anti-social elements of our society. They are bought by the scheming power mongers, who have them capture as many polling booths and rig as many ballot papers as possible, in return for some money and food. Their economic position and illiteracy (or lack of awareness) has made them vulnerabe.

When will this change? When will we get an era, which is tangible in its goodness and fullness? Which is not transcient, but sustaining? Which is not in the past, but here and forever? Which we can breathe and live in?

Mobile Moms, Dads, Uncles and Aunts

Yet another post from me. And a shorter one this time…I hope. (Yeah Sarita you had better be!) There’s no way of knowing is there, when you start writing? Anyway, today I’ve decided to write about mobile phones and how our parents and older relatives relate to it.

How often have we heard our parents say, “I don’t need a mobile phone! It’s just a fancy thing that you people carry. I can manage fine without it.” Upon further insistence, we hear, “Look, just leave me alone. I might lose it and anyhow I’m not used to it!” I’ve heard many of these comments from my father-in-law, whenever I’ve persuaded him to take my mobile phone, when he was on his way out.

There seems to be some kind of a fear among the older people, when it comes to so-called tech gizmos and tech appendages. Why? Is it just their mental block, or is it that these gadgets and devices are designed and operate in a way that only youngsters understand it better? I think it’s a bit of both. Or, let’s say one gives rise to the other. You have a mental block (for whatever reason) and so you don’t want to operate devices. You don’t operate devices; therefore you have no exposure and a mental block. Youngsters want to explore, get more exposed and consequently have lesser blocks. Thus, these things work both ways.

Is there an easier way to make our parents, uncles and grandparents relate to mobile phones? It’s not just about making the interface simple – right from start menu to various operations – but also to resolve their fears, inhibitions and discomfort. It should become second nature to them like the television and radio has. Everyone in the family operates it - right from the cute toddler, the brash teenager, the careworn housewife to the crotchety grandmother. Everyone switches on the TV to watch their favourite shows (the cute toddler of course would be busy switching it on when you want the TV off and switching it off, when you are watching cricket!).

Docomo is one of the few companies that has tried to address this issue, by bringing out a mobile phone just to cater to the geriatric users. But mobile phone companies in general are not too bothered about this category of users. Guess why? Targeting them does not make much business sense. After all, the older lot does not use the mobile phone all that much. They would rather target the young yuppies, or the young professionals, who are huge spenders and therefore would bring in revenue.

But, how can the elderly consumers be expected to fetch them money, unless they bring out phones that would specifically cater to their needs? The more they use, the more they will buy and the more money companies can make. It’s just a question of where and how to start this process.

Not all users, who are past 50 years of age, are ‘technophobic’. My dad and mom were probably the first in their generation to buy a computer nearly 12 years back. They motivated many of my uncles and aunts to go ahead and get ‘connected’.

Today, my parents not only use the mobile phone to send extensive SMSs, but they are also perpetually logged on to the net. They not only use the e mail, but they also download songs from websites, put up posts on their blog and yeah they also chat. In fact, during the Ganesha pooja they had their webcam and mic on and they ‘skyped’ with my sister, who is not in India. Not only did they chat with her, she also got to see the entire proceeding of the pooja as though she had been right there.

So, it is worth a try to get our parents, uncles and aunts to be comfortable with technology - and mobile phones are a good way to start. Am not saying, “Turn them into techno geeks”. As though they would anyway!

Navraatri and Vijaydashami - its varied hues in India

The diversity inherent to India’s unified existence is manifest in the way major festivals are celebrated in different parts of the country. Navraatri, the nine day festival followed by the grand finale on the tenth day, called Vijaydashami are some of them. They are celebrated by Hindus all over India, but it holds special significance to people in North India, which is different from how it is perceived by Bengalis in the eastern regions of India. This in turn is quite unlike the way that South Indians relate to this festival and celebrate it. I have attempted to explain some of these differences here, based on some of my own experiences in Delhi and Calcutta (where I grew up and spent most of my life until sometime back!) and now in Bangalore. This piece is longish, because I’ve included some of the tales and legends that go with this season of festivals.

I shall start from the north of India. Here, the ten-day festival is called ‘Dussehra’. The nine-day celebration of Navraatri culminates in Vijay-Dashami (the victorious tenth day). It is believed that Lord Rama, after nine days of praying to Goddess Durga, the epitome of Shakti (strength / power), finally defeated Ravana on the tenth day and reunited with his wife, Sita. Thence the term ‘vijaydashami’. On this day, large effigies of Ravana, his son Indrajeet and Ravana’s brother Kumbhakarana are burnt, amidst lot of celebration and show of firecrackers. Actually large quantities of firecrackers are stashed in the cavities of these inflammable mammoth mannequins, before setting it on fire. Usually it is done in large, public grounds where many people gather to watch the grand display of firecrackers.

In Delhi, people gather in ‘Ramleela’ grounds to witness the fireworks and take part in celebrations. Of course there’s the issue of one’s personal safety, not just because of firecrackers, but also the boisterous crowds that sometimes can get out of hand! Beware of pickpockets, eve teasers and rabble rousers!

Now to go towards eastern India – West Bengal to be specific… This ten-day festival is seen as the time when Goddess Durga came down to earth and vanquished the demon, Mahishasura (the buffalo demon and you’ll see in a while why he is called thus). Legend has it that Mahishasura had become extremely powerful and had spread his reign of terror all over earth and the netherworld. He even had Lord Shiva’s boon that no man on earth, in heaven or the netherworld could vanquish him (he was too proud to ask that no woman should defeat him – and that was his undoing. What a dumb dude!)

Distraught by the asura’s growing powers, people prayed to the trinity – Brahma (the creator), Vishnu (the preserver) and Shiva (the destroyer) – to deliver them from this demon. It was then that the Gods approached Shiva’s consort, Goddess Parvati, who agreed to go down to earth and save her devotees as Durga (the Goddess of war – a malevolent aspect of Devi). The Gods began giving their weapons to Durga. With each weapon that she got, the ten-armed Goddess became more and more powerful. Not only the Gods, but even the goddesses (especially, Saraswati, Lakshmi and Kali) gave their powers and strength to her.

Armed with all these weapons and powers, Durga descended the earth, riding a ferocious lion. After nine days of battle, she killed the demon who had tried all his tricks on her. Right from changing his form to various animals, to creating ‘rakta-beeja’ (literally stands for the ‘bloody seed’. It was Mahishasura’s trick - quite a juvenile one if you ask me - whereby, he caused more and more demons to come to life with every drop of blood that Durga drew from him during the battle). Durga took Kali’s assistance to destroy the ‘rakta-beeja’ (Kaali is also considered another form of Parvati). On the tenth-day of the battle, the demon took the form of a buffalo (that should explain the buffalo-demon bit). Durga promptly decapitated the animal and thus killed Mahishasura. This tenth-day of Mahishasuramardini’s victory (Mahishasuramardini – slayer of Mahishasura, i.e. Durga) is celebrated by Bengalis as ‘Bijoya’.

Marking the beginning of this ten day celebration is the ‘Mahalaya amavasya’ (Amavasya or the new moon; Mahalaya or the abode of Maha / Shiva). Every year there is a Mahalaya special on radio, broadcast by All India Radio, called Mahishasuramardini. It is a one and half hour programme, which starts at 4 am sharp, always. No Bengali’s Pooja is complete without listening to this Mahalaya special. You too can hear it on http://userfs.cec.wustl.edu/~sb3/Mahalaya.htm or download it at

http://www.badongo.com/file/1438353and http://d.turboupload.com/d/1005639/Mahalaya.wav.html

In Calcutta, where I spent all my childhood (and adolescence) people used to put up ‘pandals’ (tents / shamiana) all over the city with magnificent idols of Durga in the act of slaying Mahishasura. Accompanying Durga were others like Saraswati (the Goddess of learning and wisdom), Lakshmi (the Goddess of wealth), Ganesha (also the God of wisdom, but more popularly known as the remover of obstacles) and Kartikeya (Ganesha’s brother). There would be cultural programmes – music, dance, drama / skits -all through the night and people would be dressed in their best clothes making a beeline to various ‘pandals’.

We used to stay in Salt Lake. I remember how my parents, older sister and I would go visiting all Pandals in the area. In fact, my sister and I used to compete with our friends on who had seen more pandals in a day!

Apart from cultural programmes, ‘poojas’ are performed by priests all through the day. If it’s a neighbourhood pandal (and usually that’s what they are), everyone gets together and helps in cooking and the poojas. I remember that a Durga pandal was once constructed right outside our house and I could see everything going on inside. Most of the time, I could see only the purohit’s (priest) bottom, while he bent down at the Goddess’s feet! (Durga must’ve been impressed for sure, because she didn’t get to see the other angle of this guy that I saw!) But, there were other interesting things as well. All the aunties from our neighbourhood were there chopping vegetables, gossiping with each other. It was a great time to catch up on grapevine.

The most colourful part is the evening, when dance and drama sessions begin. I remember, all the young boys and girls from our ‘paaraa’ (block) would be there, showing off their skills (sometimes the lack of it!) But the best times were the ‘bhog’ (food), when all of us could hog to our heart’s content on everything, right from luchi-aloordom, khichidis to sweets!

On the last of the festival, i.e. ‘dashami’, all married Bengali women get together and play with the ‘sindoor’ (vermillion. It is worn only by married Hindu women on their foreheads). They smear sindoor all over each other – pretty much like what happens during ‘Holi’. Subsequently, there is some more Pooja and then the immersion of idols in the evening. All idols are usually immersed in the Hoogly (Ganga as it’s known in Calcutta) and that goes on till late hours of the night.

In the South of India, ‘Navraatri’ has a different hue. Although people worship Durga even here, prominence is not given to Durga idols or pandals. Rather, people exhibit all the dolls and (sometimes) toys in their homes. These dolls are neatly arranged and decorated on a series of raised platforms, which are made to look like stairs. Families visit each other’s homes and see how differently each household has show-cased its dolls. They could either be dolls from different parts of the country, or the world, or even dolls of Rama, Krishna and other Gods.

Actually, there is a legend behind these dolls and their display in the South. This was told to me by my sister-in-law, who heard it from someone and who in turn heard from someone else! The story might well be distorted beyond its original intent (like stories usually are!) Anyway, here is how it goes…. Long time ago, there was a man who left his home and wife and went to the Himalayas to meditate on Lord Shiva. Pleased by his devotion, Shiva appeared in front of this man after many years. Upon being asked for a boon, the man said that he and his wife wanted a child, since they were still childless. (Am sure Shiva must’ve wanted to say, “Like obvious dude! What else did you expect; when you were here gallivanting in the mountains and your poor wife was left out there alone?!)

Of course Shiva refrained from that comment and granted him his boon. He also gave him a little pot with something in it for his wife (Yak butter? Snow-malt? Hmmm… can’t recall what it was for the life of me!). He asked him to not lay down the pot anywhere until he reached home.

And so our frost-bitten dude set off for home. On the way, he reached an ‘ashram’ (hermitage), where an old rishi (sage) asked him to rest. The man replied that he could not, because he was not supposed to lay down the pot which was for his wife. To cut a long story short, our snow-man stayed at the hermitage and the rishi asked him to marry his daughter. Now, a Brahmin’s wish is never refused (for fear of a curse I suppose. These guys dole out curses at the drop of a hat!) and so the chap married the dame. While he was at it, he also gave her that pot to drink (not smoke).

The newly-married wife gave birth to a son, shortly after which the polygamous guy popped it. As this little boy grew up, he demonstrated his skills as a gifted doll-maker. He made all kinds of dolls in clay and neatly arranged it all over the ashram. Once when he came of age, a king’s army (cannot recall which king this was and where his kingdom lay) came and asked the rishi to relocate the hermitage, because the king wanted to extend his headquarters close by (sounds pretty much like our politicians today, who shift the jhopdi-walas, because they want the land! Man! India’s corrupt political dudes have a lineage!) The rishi refused, enraging both the king and his army.

As was to be expected, the king’s army attacked the ashram. This was when all the thousands and thousands of little dolls that the boy had made over the years, came to life (reminds me of Tchaikovsky’s Nutcracker. Now I know where he got his inspiration from!). All the dolls transformed into soldiers and attacked the king’s army and defeated them. Thus was the ashram saved and everyone lived happily ever after.

So, this is how Navraatri, followed by Vijaydashami is celebrated in India. It’s similar in spirit - conquest of good over evil, of right over might and last but not least, of woman over man (*winks*). Yet it’s different in the way people celebrate – be it through effigies, or dolls or idols of gods.

I wish everyone a wonderful Navraatri, Dussehra and a ‘Shubho Bijoya’!